This lecture is devoted to a very influential development in drama, which expresses vital American experiences in culture. After tracing key aspects of the growth of the genre, the topics will be:
The growth of American drama;
Eugene O’Neill, The Iceman Cometh;
Arthur Miller, Death of a Salesman;
Tennessee Williams, A Streetcar Named Desire;
Edward Albee, Who’s Afraid of Virginia Woolf?;
Dramatizing the “American Dream”.
This genre has produced some of the world’s most important playwrights, who have won Nobel Prizes and Pulitzer Prizes. Maybe as a certain parallel with China, drama in the modern sense hardly existed in America before the 20th century, quite unlike the genre of the novel. These major works acutely and precisely diagnose the conditions under which American Dreams get transformed into something rather different, leading to distortion and deception. Our task will be to analyze this process.